In terms of chords, both half-whole and whole-half diminished scales follow a very predictable pattern: The half-whole diminished scale Half Whole Diminished Scale Tutorial. Nothing to do with the context in which the chord might be used. Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. There are two different symmetrical diminished scales. A whole step = two frets. Typically this chord will be labeled as “m7b5” on a chord sheet. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). Unlike other scales which contain seven notes, these scales contain eight notes. When you hear a certain scale, you probably associate it with something. This is why we refer to it as a symmetrical scale, because the repeating interval pattern takes you back to the note that you started on. The diminished scale is a symmetrical scale. There are scales that I’ll never play and scales that I’ll probably never even hear. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. The scale alternates half and whole steps until the scale starts again. This creates a great deal of tension which usually resolves when the dominant moves to the tonic chord. But that's not all, this is the ideal scale for diminished chords too (which sound similar to Dom7b9 chords). In other words, for a Cdim7 chord, C – Eb – F# – A, you would use a C whole step/half step diminished scale. Each scale connotes something different. Half Diminished Scale in All Keys A “half diminished” chord is a diminished chord (root, flat third, flat fifth) to which the normal dominant seventh (that’s the flat seventh)  has been added. The whole-half step formula is similar to the scale formulas only it uses whole and half steps to explain the construction of a scale. This means that the scales are constructed using a … Learn to use the entire fretboard with this incredible guitar scale chart. Therefore, Edim7, Gdim7, Bbdim7 and C#dim7 all contain the same four notes, E-G-Bb-C#. It’s an eight note or octatonic scale that alternates between half-steps and whole-steps. Chromatic Scale; Whole-Tone Scale; Half-Whole Diminished Scale; Whole-Half Diminished Scale; C WH dim scale; C-sharp WH dim scale; D-flat WH dim scale; D WH dim scale The scales and patterns shown in this lesson are based on the half-whole versions of the diminished scales. So on a C diminished chord, play a C whole-half scale aka a D half-whole scale. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the selected scale highlighted. The half-whole diminished scale is an 8 note symmetrical scale. Short answer: yes, there's a big difference. C Half/Whole Diminished for guitar. F Half-Whole Diminished scale works with F13b9, F#dim7, Ab13b9, Adim7, B13b9, Cdim7, D13b9, and Ebdim7. Diminished Half Whole: Essential Info The Diminished Scale is a symmetrical scale and alternates between a semitone and a tone. The decision of whether a diminished seventh chord calls for a whole half diminished scale or a half whole diminished scale is a topic for another discussion. If you're looking for some real life examples of the whole tone scale in use, I recommend checking out this video of Thelonious Monk, who often uses it in stride piano-style descending runs. Because of its interval construction, this scale is also referred to as the half-whole diminished scale. Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). Adjust the "start fret" option to further highlight a finger pattern for playing the selected scale in a different position on the fretboard. There are 42 scale types in all keys! In the case of this scale, a 1/2 step interval followed by a whole step interval. References: This scale is primarily used in jazz music and works well together with alternate seventh chords. It is a symmetrical scale in that it follows a distinct pattern of steps, those being half step, whole step in a repeating pattern, not to be confused with the diminished scale which follows a whole step, half step pattern. Unlike most scales which generally contain seven notes, the half/whole diminished scale is an eight note scale. For now, just practise these scales, patterns, and get them under your fingers. Diminished scales are divided into two categories: half-whole diminished scales, and whole-half diminished scales. Long answer: They are cyclic permutations of one another (or modes of one another, which means the same) and have distinct sounds, even though they can use the same collections of pitches (e.g. IOW, the whole idea of the WH dim scale is an invention to provide notes that sound good against the dim7 chord. Half-Whole Diminished Shape 2 As we found out earlier, because each note in the dim7 chord is equal distance apart from its neighbors, every note in a dim7 chord can be considered the root. Its main function is to add alterations to dominant 7 chords. The dominant diminished scale is a symmetrical scale: there is a symmetry to the interval construction of the scale (alternating half steps and whole steps). There are 2 diminished scales, each has 8 notes per octave. G Whole Tone Scale Fingerings. G Half-Whole Diminished scale works with G13b9, G#dim7, Bb13b9, Bdim7, C#13b9, Ddim7, E13b9, and Fdim7. A whole step/half step diminished scale applies to diminished chords. In this guitar lesson we take a look at the half-whole diminished scale. As you may have guessed from their names, the formula for the half-whole diminished scale is up a half step or semi-tone, then up a whole step or tone. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). This is why I think clear nomenclature is important. Show me chords that sound good with a F Diminished Half Whole scale. This is unique to each person. The dominant diminished scale, also known as the half whole scale, is an eight note scale with a numeric formula of 1-♭ 2-♯ 2-3-♯ 4-5-6-♭ 7-8/1. It's known as a Half Whole when played over Dominant chords. THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE. The Diminished Half Whole scale is also known by the following names: Half Whole. Scales are usually compared to the Major Scale to find the intervals used, but because the Diminished Scale has 8 notes (Major Scale has only 7) … The half diminished chord (m7b5) has a minor seventh (7) - it's a m7 chord wth a flat five (b5). C Half-Whole Diminished scale works with C13b9, C#dim7, Eb13b9, Edim7, F#13b9, Gdim7, A13b9, and Bbdim7. A Search Engine for Musical Scales. Dominant Diminished Scale (Half/Whole) The following diagram shows a common fingering for the C […] The Half/Whole Diminished Scale (09 Dec 08) The half/whole diminished scale is what we call a symmetrical scale, meaning it is based on a repeating pattern of specific intervals. However, instead of starting the scale with a half step half-whole) start with a whole step (whole-half). The half/whole diminished scale The minor 7th is again decreased by a semitone and hence is equivalent to a sixth (6) - only the theoretical approach is different. The half whole diminished scale is one of the most commonly used scales in jazz soloing. T = Tone [whole step] • S = Semitone [half step] • TS = Tone + Semitone (minor 3rd interval) Comparison With Major Scale. The diminished chord has a diminished seventh (dim7, °7). So on a C7b9 play the C half-whole scale. ... Half-Whole Diminished = H-W-H-W-H-W-H-W (1-2-1-2-1-2-1-2) VERTICAL APPROACH. It contains the intervals 1,b2,b3,3,#4,5,6,b7. Symmetrical Scales (Half/Whole Diminished, Whole/Half Diminished, Whole Tone) Everything you ever wanted to know about guitar scales, but were afraid to ask! It could remind you of something you’ve heard bef… Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. Even more so if you take into account cultures that use quarter-tones. Before print or download please save it first. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. So going one fret up or down the neck is a half step. Notes a half-step below chord tones (or a whole step above) sound good in a way that notes a half-step above don't (when added to the chord as extensions). Where as DIMINISHED (whole/half) start with a whole step gap, this variation obviously start with a half step gap. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. Half-Whole Diminished Scale (Starts at 4:12) Next up, we've got the half-whole diminished scale (or H/W diminished for short)! It's a very dark sounding scale, and is one of my favorites. Urg. If you made any changes to your settings. You can think of those notes as being odd or even in number (for the C half-whole diminished scale, note 1 would be C, the root, and note 2 would be C#). There are two diminished scales called the half-whole and whole-half. 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